Solaris (1972)
About This Movie
A psychologist is sent to a space station orbiting a mysterious ocean planet that has begun manifesting physical copies of the crew members' most painful memories, including the psychologist's dead wife. Andrei Tarkovsky transformed Stanislaw Lem's science fiction novel into a meditation on grief, love, and the impossibility of truly knowing another person. The film moves at the pace of mourning itself.
Why It's a Classic
Tarkovsky deliberately positioned Solaris as the Soviet response to 2001: A Space Odyssey, arguing that Kubrick's film was too cold and technological, and that true science fiction should explore the interior landscape of human consciousness. The scenes between Kris and his wife Hari, who is simultaneously the woman he loved and a construction of an alien intelligence, achieve a tenderness that makes the philosophical questions feel viscerally personal. The long sequence on Earth before Kris leaves for the station, showing his father's house surrounded by nature, establishes the sensory world that space travel strips away. The film's final image, which reframes everything that has come before, is one of cinema's most quietly astonishing revelations.
Fun Fact
Tarkovsky and Lem famously disagreed about the film, with Lem feeling that Tarkovsky had turned his philosophical novel into a love story and betrayed the book's ideas. The film runs over 165 minutes, and Tarkovsky considered every minute essential. The highway sequence, where Kris drives through a futuristic cityscape (actually filmed in Tokyo), was included to provide a bridge between the natural world and the artificial environment of the space station. The ocean effects were achieved using a combination of chemicals in a shallow pool.
Parent Note
There is brief nudity and a suicide scene. The pacing is extremely deliberate, with long contemplative sequences that challenge conventional attention spans. Russian dialogue requires subtitles. The philosophical and emotional content is dense, dealing with grief, guilt, and the limits of love. No action or violence in the traditional sense. Best suited for viewers comfortable with meditative, art house science fiction.
Quick Facts
- Year
- 1972
- Type
- ๐ฌ Movie
- Category
- Fantasy / Sci-Fi
- Age Group
- Adults (Ages 18+)