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The Sun Also Rises cover

The Sun Also Rises (1926)

About This Book

A group of American and British expatriates drink, argue, and wander through 1920s Paris and Pamplona, trying to find meaning after the World War that destroyed their assumptions about civilization, and the narrator, a journalist rendered impotent by a war wound, watches the woman he loves move between other men while the bullfights of Spain provide the only authentic ritual left in a world stripped of purpose. Ernest Hemingway defined the Lost Generation and invented a prose style that changed how English could sound.

Why It's a Classic

Hemingway's prose style, developed in this novel, was a revolution: short sentences, simple words, and a deliberate suppression of emotion that forces the reader to feel what the characters cannot express. The 'iceberg theory,' as he later called it, means that the most important things in the novel are never stated directly, and the reader must infer them from what is left out. Jake Barnes' war wound, which makes physical love impossible, is the novel's central metaphor: the war damaged an entire generation in ways that are invisible but permanent, and the expatriates' drinking, traveling, and romantic entanglements are all attempts to fill a void they cannot name. The Pamplona sections, with their vivid descriptions of bullfighting, are Hemingway's attempt to find an art form that still has authenticity: the matador risks his life, and the result, unlike a novel or a painting, cannot be faked. Brett Ashley, the novel's magnetic, self-destructive woman, is both a character and a symbol of the era's chaotic sexuality, and her final exchange with Jake ('Oh, Jake, we could have had such a damned good time together.' 'Yes, isn't it pretty to think so?') is one of the great last lines in American fiction.

Fun Fact

Hemingway wrote the first draft in six weeks during the summer of 1925, much of it in cafes in Paris and Valencia. The characters are based closely on real people in Hemingway's circle, including Harold Loeb (Robert Cohn), Lady Duff Twysden (Brett Ashley), and Pat Guthrie (Mike Campbell), and the publication of the novel destroyed several friendships. Hemingway famously rewrote the ending thirty-nine times. Gertrude Stein, who gave the generation its name with her remark 'You are all a lost generation,' later accused Hemingway of stealing the phrase without proper credit. The novel established Hemingway as the leading voice of his literary generation at age twenty-seven.

Parent Note

The novel contains heavy alcohol consumption on virtually every page, discussions of impotence and sexual frustration, antisemitic attitudes directed at the character Robert Cohn (which Hemingway presents critically but does not fully resolve), bullfighting described in detail (including the killing of bulls and the goring of horses), and a pervasive atmosphere of nihilism and emotional suppression. No explicit sexual content. The language is mild. The novel is short (roughly 250 pages) and Hemingway's prose is deceptively simple. Suitable for readers sixteen and up. Essential American literature and one of the defining novels of the twentieth century.

Quick Facts

Year
1926
Type
๐Ÿ“š Book
Category
Classic Novels
Age Group
Adults (Ages 18+)
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